Masaaki Suzuki and the Orchestra and Choir of the Age of Enlightenment joined forces for a remarkable performance of Bach’s Christmas Oratorio. The two-part concert, which took place over consecutive nights, showcased Suzuki’s exceptional talent and the awe-inspiring musicality of the ensemble. While some may question the decision to split the oratorio, Bach actually composed it as six cantatas meant to be sung on different days between Christmas and Epiphany.
Suzuki’s interpretation of Bach has often been described as restrained, but this performance was filled with a palpable sense of joy and control. The opening chorus, which symbolizes the redemption of mankind, burst to life with a perfect blend of precision and exaltation. The musicians delivered a thrilling rendition, showcasing their exceptional skill and expressiveness. Throughout the performance, there were captivating instrumental details, including the elegant oboe quartet accompanying the shepherds.
The Choir of the Age of Enlightenment was a standout throughout the concert. Their choral performances were rich in nuance, while the chorales were delivered with directness and assertiveness, conveying a strong sense of faith. Suzuki also treated the audience to a mesmerizing rendition of the motet setting of Psalm 96, Singet dem Herrn ein Neues Lied, showcasing the choir’s ability to handle complex polyphony with clarity and precision.
The soloists, who were part of the choir, were equally impressive. Brothers Guy and Hugh Cutting, both tenors, delivered remarkable performances. Guy’s narration as the Evangelist was clear and powerful, while his agility in the coloratura passages was breathtaking. Hugh showcased his warm and lovely voice in the arias Schlafe, Mein Liebster and Schliesse, Mein Herz, die Seliger Wunder. Bassist Florian Störtz brought fervent passion to his role, while soprano Jessica Cale displayed grace and brightness in her captivating solos.
The concert delivered an unforgettable experience, with the musicians bringing Bach’s Christmas Oratorio to life in a way that left the audience in awe. Suzuki’s ability to balance contemplation and elation was on full display, creating an atmosphere that was both uplifting and profound. The ensemble’s exceptional musicianship and the soloists’ remarkable performances elevated the already magnificent composition.
In conclusion, Masaaki Suzuki and the Orchestra and Choir of the Age of Enlightenment mesmerized the audience with their breathtaking performance of Bach’s Christmas Oratorio. Their interpretation captured the essence of the composition, delivering a transcendent experience filled with elation and contemplation. The collaboration between Suzuki, the ensemble, and the soloists was a testament to their exceptional talent and dedication to their craft. This concert truly showcased the power of Bach’s music and its eternal appeal.
